The Subject Supposed to LOL: Slavoj Žižek and the Event of the Internet

  • Clint Burnham Simon Fraser University
Keywords: Slavoj Žižek, Internet, social media, Internet philosophy, event

Abstract

Is the Internet an Event? Does it constitute, as Žižek argues an Event should, a reframing of our experience, a retroactive re-ordering of everything we thought we knew about the social but were afraid to ask Facebook?
In this contribution, Clint Burnham engages with Žižek’s recent work (Less than Nothing, Event, Absolute Recoil) as a way to argue, first, that in order to understand the Internet, we need Žižek’s “immaterial materialism,” and, in turn, to understand Žižek’s thought and how it circulates today, we need to think through digital culture and social media. 

As regards the Internet, then, no cynical disavowal, no Facebook cleanses, no shutting off the wifi: les non-dupes errent, or those who distance themselves from social media and the like are the most deceived. Next: the Internet’s two bodies: digital culture is both the material world of servers, clouds, stacks and devices and the virtual or affective world of liking, networking, and the mirror stage of the selfie. And here we must confront the “obscene underside” of digital culture: not only the trolls, 4chan porn, and gamergate bro’s, but also the old fashioned exploitation of labour, be it iPhone assembly-line workers at Foxconn, super-exploited “blood coltan” miners in the Congo, “like farmers” in India, or social media scrubbers in the Phillipines, who ensure your feeds are “clean” of porn, beheadings, and other #NSFW matter. These last concerns, then, mean we also have to think about what Žižek calls the “undoing of the Event” of the Internet, the betrayal of the Internet, its diseventalization.

This podcast is a recording of a CAMRI research seminar that took place at the University of Westminster on January 28, 2015.

Author Biography

Clint Burnham, Simon Fraser University
Clint Burnham teaches in the department of English at Simon Fraser University, Vancouver, Canada. He is the author of more than a dozen books of criticism, poetry, and fiction, including The Jamesonian Unconscious: The Aesthetics of Marxist Theory (1995), The Only Poetry that Matters: Reading the Kootenay School of Writing (2011), editor (with Lorna Brown) of the public art catalogue Digital Natives (2011), and editor (with Paul Budra) of From Text to Txting: New Media in the Classroom (2012). His essay “Slavoj Žižek as Internet Philosopher” is in the recent Palgrave collection Žižek and Media Studies (eds. Matthew Flisfeder and Louis-Paul Willis), and he is currently writing a book on Žižek and digital culture called Does the Internet have an Unconscious? In the winter of 2014-15 he is living and working in Vienna as part of a residency with the Urban Subjects collective.
Published
2015-01-28
Section
Reflections (Non Peer-Reviewed)